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Het nieuwe Warandeseizoen start in de Expozaal met een solotentoonstelling van Carole Vanderlinden. Deze Brusselse kunstenares toont in de Warande haar eigenzinnige oeuvre. Haar schilderijen houden schijnbare tegenstrijdigheden in zich. Ze zijn fris en tegelijk ogen ze oud. Ze zijn figuratief en tegelijk abstract. Het gebruikte kleurenpalet is een aanlokkelijke combinatie van verzadigde en onverzadigde kleuren. Naast een selectie van olieverfschilderijen, toont Vanderlinden een ruime selectie aan tekeningen. Exhibition: Cultuurhuis De Warande, Turnhout, Belgium (14.09.-17.11.2019).

Vanderlinden, Carole --- Vanderlinden, Caroline --- 75.07 --- Schilderkunst ; schilders A-Z --- Vanderlinden, Carole,

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Mijmeringen en gedichten over kunst van de Zuid-Afrikaanse, in Nederland wonende, kunstenares (1953- ).

75.07 --- Vrouwelijke kunstenaars --- Dumas, Marlene °1953 (°Cape Town, Zuid-Afrika) --- Schilderkunst ; schilders A-Z

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For any proper understanding of twentieth-century art, Max Ernst is essential. No one picture or series of book pictures of this, the greatest magician of all the Surrealists, can be taken in isolation as fully representative of the multiplicity of ideas he explored. But in more than 400 illustrations in this book, combined with historical and critical commentaries by Uwe Schneede, we can unravel the distinctive marks of his long and complex evolution: great innovations in technique - in 1919 collage and rubbing, in 1925 frottage and grattage, in 1940 decalcomania, in 1942 drip painting; thematic inventiveness, especially in the years 1925-40; introspective interludes, seen in such works as Design for a Manifesto (1920) and Paintings for Young People (1940); and astonishing climactic points, single masterpieces central to the history of twentieth-century art, such as The Elephant of the Celebes, Oedipus Rex and The Robing of the Bride. His work evokes, with uncanny accuracy, the hideous premonitions of the 1930s, the inexorable power of sexuality, and the secret life (reflected in the human mind) of inanimate nature. Max Ernst has never been at rest, never quite predictable, even in the later, sunnier days of his long life. In his own words, 'the fact that he has succeeded in not finding himself is regarded by Max Ernst as his only "achievement"'. The works of art that have resulted from this strange non-quest are the subject of this absorbing survey.

Ernst, Max, --- Schilderkunst ; Surrealisme --- Beeldende kunst ; 20ste eeuw ; Surrealisme --- Ernst, Max --- 75.07 --- Schilderkunst ; schilders A-Z

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This book gives an overview of the recent works of Hyun-Sook Song (b. 1952, South Korea, lives and works in Hamburg). In her work she gives voice to the nostalgic memories of her beloved motherland; she developed both a very distinctive style and a technique which blends elements from the West and the East. Song sees painting as a performative happening in which the movement of the brush is the essence of her work as well as the ultimate proof of her inner feelings.

75.07 --- Song, Hyun-Sook °1952 (°Damyang, Zuid-Korea) --- Vrouwelijke kunstenaars --- Schilderkunst ; schilders A-Z --- Song, Hyun-Sook.

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Balthus (Balthasar Klossowski) 1908-2001 (° Parijs, Frankrijk) --- Schilderkunst ; 20ste eeuw ; Balthus --- 75.07 --- (069) --- Schilderkunst ; schilders --- (Musea. Collecties) --- Painting --- Balthus